Showing posts with label choreography. Show all posts
Showing posts with label choreography. Show all posts

Monday, March 23, 2009

Props to You

Use props. Explore, manipulate, discover. When props come into play, exciting and unique movement is easier to find. Props provide a fun and challenging new way to find a whole new idea. When you are forced to create a movement sequence while keeping one hand and the opposite foot somehow within a hula hoop, some pretty interesting ideas are going to come out of it. And the amount of commitment that the movement requires is so much more than just simply moving through space. When you are committed to dancing around, with, and through a prop, the energy is focused beyond yourself and out. Once you have some ideas, you can remove the prop as long as you still dance as if you were still working with it. It's just an new way to play around and find some new movement.

Prop ideas:
  • hula hoops
  • elastic (thera) bands
  • sheets of paper (try dancing across the floor with a sheet laid flat against your hand and notice the amount of adjustment and commitment it takes to keep it there . . .)
  • rubber balls
  • chairs
  • streamers
  • water (yes, water. bowls of water, hoses, shallow pools . . . amazing movement can come out of the idea of playing in and with water)
  • strings of beads (long necklaces)
  • bouncy balls
  • pillows
  • big straw hats
  • huge beach balls
  • parachute
  • jump ropes
  • ladders
  • mats

Be creative! Random ideas often provide the best and most exciting movement!

Finger Painting

One of the most fascinating activities I have ever done was one that opened the gates to a flow of creativity. We turned on music and listened to four different songs - different in style, in mood, in tempo and beat. After taking just a few moments to get the feel of the music, we began to explore on paper with finger paints, chalk and colored pencils. We were told to find colors in the music - to experience with lines, thick and thin, round, jagged, dots and smudges. I'm not an artist in that way, but the images that were taking form on the paper were fascinating. For a full hour and a half we concentrated on nothing but the colors and lines of what we heard in the music. If nothing else, the exercise was extremely relaxing and interesting. But here is where is began to make such a difference for me. The next day, we were then asked to dance what we saw on the paper. How do you dance a thick line? How do you put a smattering of spots into movement? How does a black zigzag become an action? And even further still - how does blue differ from blue? What does robin egg's blue feel like? What happens with deep ocean blue?

Suddenly, I was dancing a symphony of colors and lines and feelings and moods. I was so much more fully invested in my movement because I was seeing a distinct image and working to translate it in my body. It was an amazing experience. I would like to suggest that anybody struggling with choreographic blocks, movement impediments, or any such difficulties should take a moment to slow down, stop to listen, and spend some time fingerpainting.